Antique Bed

MAHOGANY TEA TABLE, TRAY-TOP COMMODE, WALNUT SIDE CHAIRS, GENTLEMAN’S WARDROBE, OAK SECRETAIRE BOOKCASE, CABINET BOOKCASE, GILT GESSO WALL MIRROR
A MAHOGANY WASHSTAND, partly early 19th Century, the antique federal style spiral gate leg table ‘D’-shaped top with a raised back, on square legs, formerly a tea table, 114cm. wide.
A MAHOGANY TEA TABLE, early Victorian, the american gothic revival cabinet rounded rectangular top above two frieze drawers, on turned tapering legs, 91cm.
A MAHOGANY TRAY-TOP COMMODE, George III, with alterations, the low level sideboards second hand waved gallery above three drawers, the robert and david hennell lowest with a shaped apron and divided legs, 54cm. wide.
A MAHOGANY TRAY-TOP COMMODE, George III, with alterations, the chair child 1820 plain gallery above a tambour slide and divided leg drawer, 53cm.
A PAIR OF WALNUT SIDE CHAIRS, George II, with pierced splats, drop-in seats and on cabriole legs.
AN OAK DRESSER, George III style, made-up, the painted armoires dentil cornice above shelves and three drawers, with two cupboard doors, on bracket feet, 194cm. high by 151cm. wide.
A MAHOGANY AND OAK TRIPOD TABLE, partly early 19th Century, with a star inlaid top on a baluster stem and downswept legs, 79cm. diameter.
A MAHOGANY GENTLEMAN’S WARDROBE, Regency, formerly a linen press, including a pair of panel doors, 108cm. wide.
A WALNUT CHEST ON STAND, Queen Anne-style, part 18th Century, including seven drawers and cabriole legs, 104cm. wide.
A CARVED OAK SECRETAIRE BOOKCASE, made-up, including a pair of fielded panel doors and drawers, 100cm.
A WALNUT LOWBOY, Queen Anne and later, including three drawers and cabriole legs, 74cm. wide.
TWO MAHOGANY TRAY TOP BEDSIDE COMMODES, George III, including tambour doors and square legs, altered and restored, 48cm. wide.
AN OAK HANGING CORNER CUPBOARD, 18th Century, with a fielded panel door, faults, 75cm. wide.
A MAHOGANY CHEST OF DRAWERS, Regency, on bun feet, 94cm. wide.
A SET OF SIX MAHOGANY CHAIRS, late Victorian, including padded splats above a spindle gallerv, on ring turned legs, faults, two chairs severely distressed.
A MAHOGANY FRAMED PIER MIRROR, Empire, with rectangular plate flanked by pilasters, 50cm. wide.
A MAHOGANY SEMI-CIRCULAR CARD TABLE, George III and later, on tapered square legs, 99cm. wide.
AN OAK SIDE TABLE, Charles II-style, with two drawers, 102cm. wide.
A MAHOGANY CABINET BOOKCASE, Regency, including a pair of astragal doors flanked by pilasters, the antique chippendale small chest base with a drawer and a pair of panel doors, formerly part of a larger bookcase, faults, 113cm. wide.
A CARVED OAK PANEL-BACK ARMCHAIR, Victorian, in the black octagonal table ottoman 18 century 17th Century style.
AN INLAID EBONISED AND THUYAWOOD DAVENPORT,
Victorian, the american gothic ebony brass feet raised back with pigeon holes and small drawers, the mary chawner and fiddle and shell frieze with a writing drawer, 56cm. wide.
AN OAK AND MAHOGANY CABINET BOOKCASE, George IV, with pilaster corners, the deadbeat escapement design pair of doors above drawers and shaped apron, 122cm.
A GILT GESSO WALL MIRROR, Continental, 18th Century, with a pierced scroll cresting, faults, 143cm. high.
AN OAK PATENT EXTENDING DINING TABLE, 20th Century, the danish art nouveau settee bed drum top containing eight sections, on a fluted column and octagonal base, 156cm. diameter extended; and a set of four oak Dining Chairs, 20th Century, with reeded bulbous legs.
A MAHOGANY SIDE TABLE, George III, on tapered square legs, formerly the collapsible furniture for napoleon times end of a dining table, 120cm. wide.
A MAHOGANYBOW-FRONT LINEN PRESS, George III, inlaid throughout with rosewood banding and stringing, the william hallen dentIIIed cornice above a pair of oval veneered doors, enclosing
hanging space, the american empire antique chest of draws two short and two long drawers on a later plinth base, 212cm. high by 127cm. wide.
A SET OF THREE MAHOGANY DINING CHAIRS, Regency, with rail backs and sabre legs.
A YEW-WOOD AND ROSEWOOD WORK TABLE, 19th Century, with a frieze and wool drawer, on turned supports, altered, 58cm. wide.
A SET OF SIX BEECHWOOD DINING CHAIRS, early 19th Century, with bobbin turned spindles and splayed legs.
A MAHOGANY CABINET BOOKCASE, George III-style, with fluted terminals, the antique treble tables pair of astragal doors above two drawers and a pair of panelled simulated astragal doors, 122cm. wide.

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A FINE PAIR OF LOUIS XV BRONZE AND GILT-BRONZE CHENETS in the form of well modelled poodle and cat each seated on a cushion with tassels at the corners, antique posset the
bases with Vitruvian scroll friezes, antique dragon symbols leafy bosses at the corners and fluted feet, william and mary carcase construction lft. 2V2in. high by wide (36.5cm. by 30cm.) circa 1770.

A LOUIS XVI GILT-BRONZE AND wHITE MARBLE MANTEL CLOCK, antique victorian drop well dresser the enamel dial signed Dubuc and with calendar hand, furniture types antique picture regency legs the movement with outside count wheel, antique round seat corner chairs with wood casters the case in the form of a wine barrel with an abandoned bacchante reclining on a lion skin, peacock head on sowerby mark on english glassware the bow-fronted base with a frieze of cherubs, victorian mahogany bed 4-poster 15′/2in. high (39cm.) circa 1785.

A Louis XV/XVI TRANSITIONAL MARQUETRY BONHEUR DU JOUR stamped P. Pioniez JME, identifying art deco veneer dining chairs with inlay the superstructure with a three-quarter gallery above a compartment and drawer flanked by a pair of cupboard doors set with gilt-bronze oval frames and inlaid with flower vases, victorian oak gate legged table the lower part with a fitted frieze drawer set with a gilt-bronze guilloche, sabre leg chair the sides similarly decorated, stoneware asian pattern on cabriole legs applied with leaf-cast gilt-bronze mounts, thwaites ball clock with a rectangular platform stretcher and ending in sabots, antique brass beds dealers the whole decorated with flower vases, tier table round pedestal jugs, value of epergne books, arts and craft sideboard with central arch on base quills and paint-brushes, ebonised bracket clock 3ft. 2Vzin. high by 2ft. Vhin. wide (98cm. by 65cm.) circa 1775.
Provenance: The Comte d’Armuille Pierre Pioniez, heubach lichte piano babies received Master 1765.
Hachette, 1910 georgian sideboard Les Ebenistes du XVIIIe Siecle Frangais, 18th century scotish furniture page 266, victorian slate clocks illustrates an almost identical bonheur du jour by Topino.

ANOTHER LOUIS XV/XVI TRANSITIONAL MARQUETRY BONHEUR DU JOUR, similar to the preceding, francois linke but with a shelf stretcher, make old dresser into display cabinet 3ft. 3in. high by 2ft. Un. wide (109cm. by 64cm.) circa 1775.

A LOUIS XV/XVI TRANSITIONAL MARQUETRY CYLINDRICAL TABLE EN CHIFFONIERE, birdseye maple antique commode the top with a pierced galleried inset with a marquetry panei of a river
scene within a florai border above a cupboard door enclosing four drawers and inlaid on three sides with views of classical ruins hung with swags and flanked by husk and roundel inlaid marquetry strips, antique 19th 20th century convex mirror on hipped cabriole legs joined by a conforming stretcher inlaid with a similar landscape scene, stig lindberg reproductions lft. 3in. wide (38cm.) circa 1775.

A Louis XV/XVI TRANSITIONAL BOIS SATINE TABLE A ECRIRE, czechoslovakia china eagle stamped R. Lacroix JME, birdseye maple art deco furniture the oval top with a pierced gallery above a frieze drawer with a fitted interior and hinged writing surface, antique clock tortoise shell pillars with lion heads on cabriole legs with acanthus-leaf mounts and joined by a kidney-shaped galleried stretcher, half round credenza wide (75cm. by 58cm.) circa 1775.
Roger Vandercruse, victorian elm chest called Lacroix, turn dresser into a sideboard 1728-1799, 6ft mahogany drop leaf table received Master 1755.

A SET OF FOUR LOUIS XV PAINTED FAUTEUILS, directoire breakfront the cartouche-shaped backs within moulded flower-carved frames, isopon arts and crafts the padded arms on scroll supports, french country toilet chair the stuffedseats with moulded flower-carved aprons, french antique bed wooden head and footboard for restoration on cabriole legs ending in leaf-scroll feet,  sideboard decoration circa 1760.

A PAIR OF LATE Louis XV MARQUETRY ENCOIGNURES, savory and son, cornhill, clocks the serpentine fronts each containing two doors inlaid with a spray of flowers on a quarter-veneered tulipwood ground, chippendal folding card chairs on bracket feet, 1850 foley bone china florence 3ft. high by 3ft. 2in. wide (92cm. by 91 cm.) circa 1110, shapes of albarelli in the 18th century with gilt-bronze mounts and mottled liver and white marble tops.

A LATE Louis XV MEUBLE A RIDEAU stamped G. Cordie JME in quarter-veneered tulipwood with an inset mottled russet and grey marble top, 8 foot antique display case the front with a pair
of tambour doors above a drawer veneered with two panels of flame-figured wood, english cabine (thomas chippendale ) with quarter-veneered sides and slender cabriole legs with ormolu sabots and castors, les amusements a la campagne tapestries 2ft. 9in. high by 3ft. min. wide (84cm. by 102cm.) circa 1770. Guillaume Cordie, thin drawers received Master 1766.

A LOUIS XV/XVI TRANSITIONAL MARQUETRY COMMODE stamped CriardJME, with mottled green and cream marble top, victorian pot castors date the front containing two drawers with a central
oval panei of a basket of flowers flanked by panels of flowerhead trellis, wiener werkstatte chairs the sides also inlaid with a flowerhead trellis, bedsidecommode the corners inlaid to simulate fluting and headed by lions’ mask mounts, 3 large lions feet brass on shaped legs ending in sabots, replacing glass cupboard antique doors 2fi. 8in. high by 2ft. 7???. wide (81cm.
by 80cm.) circa 1775.
Antoine-Mathieu Criard, how much is an antique pull out leaf dining room table worth? c. 1724-1787, very nice painted corner cupboard furniture recieved Master 1747.
Leonard Boudin, indian crane antiques 1735-1804, faux drawer leather top drum table antique received Master 1761.
A very similar secretaire, 18th century figurines of lady with braids also stamped Boudin, antique oval desk is in the John L Severance.
Collection at the Cleveland Museum of Art, antique dining table wood clawfoot Catalogue No. 84 beverance

A RARE PAIR OF LOUIS XV/XVI TRANSITIONAL OVAL MARQUETRY BONHEURS DU TOUR in the manner of C. Topino, real french napoleon iii period kingwood and ormolu furniture each with a semi-circular superstructure with a gallery above a compartment and a drawer flanked by a pair of cupboard doors enclosing shelves, the lower part with a fitted frieze drawer on hipped cabriole legs headed by gilt-bronze mounts and ending in sabots, antique tables and chairs bulbous legs the whole elaborately decorated with flower vases, small oak and pine antique settle teapots,
teacups and jars, chinese rococo wall shelf 3ft. high by 2ft. wide (by 64cm.) circa 1775.
Hachette Les Ebenistes du XVIIIe Siecle Frangais page 269, mid century ironstone figs 2 & 3, art nouveau vase markings fakes illustrates ? very similar bonheur du jour by Topino in the Musee des Arts Decoratifs, small antique table with handle on top no drawer Pans.
Charles Topino, antique french dining table styles received Master 1773.
Provenance: Mme. Corinna Kavanagh, zebra colored egg chairs sold in these Rooms 22nd November 1963, sheraton dressing table lot 50.

A Louis XV/XVI TRANSITIONAL MARQUETRY COMMODE with a breche d’alep marble top, antique coral 18k gold grotesque pendant of breakfront form and containing two drawers inlaid with three floral marquetry panels and with another florai marquetry panei at each side, late 18th century 3 drawer dresser with ebony pulls on cabriole legs, and with simple gilt-bronze mounts, antique german drop front desk 4ft. 2in. wide (127cm.) circa 1775.
An almost identical commode was sold in these rooms, eugene schoen 6th July 1979, wood and metal buffet lot 247.

A PAIR OF LOUIS XVI GILT-BRONZE CHENETS, louis 15th chair prices each in the form of a central vase flanked by fir-cones, antique rococo headboard the bases faced with winged mounts, leather stationery box antique 17in. high by 20in. wide (43cm. by 51cm.) circa 1775.

A FINE PAIR OF LOUIS XVI Bois SATINE ENCOIGNURES, exotic drum tables stamped L. Peridiez JME, victorian ladies and gentlemens chairs with moulded griotte marble tops, regency inlaid rosewood-grain rocking chair pictures the friezes mounted with Vitruvian scroll, antique four sided chinese teapot faces the bowed doors inlaid with trellis faced with gilt-bronze flowerheads flanked by pendant ribbon-tied olive branches, 19th century shaving 2ft. 8V2in. high by 3ft. lin. wide (83cm. by 94cm.) circa 1775.
Louis Peridiez, 1930s highboy cupboard received Master 1764.
These encoignures are similar to a group of furniture probably made by Vandercruse under the direction of Joubert, coaching horn Ebeniste du Roi from 1763 until 1774. The group consists of a
commode supplied by Joubert in 1769 for the apartments of Louis XV’s daughter, rosso antico redware chinoiserie Madame Louise; another commode, antique drop top desk dresser and a secretaire en suite both delivered in 1774, circa 1720 drop leaf gate leg table mahogany oval top for Madame Adelaide’s bedchamber at Marly; another secretaire sold from the collection of Lord Wharton, victorian vases by kingwood Christie’s 19th March 1970, antique lacquer bamboo display cabinet lot 100. All of these pieces have the same trellis design faced with studs and the Vitruvian scroll frieze, antique daybed sofa movable sides but there are differences in the mounts.

A FiNE Louis XV/XVI TRANSITIONAL GILT-BRONZE MOUNTED MAROUETRV COMMODE stamped ?. A. Foullet JME, antique victorian 8′ economy table with a brescia marble top above a guilloche frieze and two deep long drawers applied with gilt-bronze olive-leaf wreaths framine three ornate urns in landscapes, pilgram century desk drawer constuction and flanked by garlands of flowers, prunus cracked ice jar the apron applied with flowers and an incense-burner, with canted corners and similarly panelled sides, antique square georgian hall stands on cabriole legs ending in sabots, sutherland gate-leg table 2ft.high by 4ft. W/2in. wide (88cm. by 151cm.) circa.
Pierre-Antoine Foullet, antique oriental porcelain gilded handle received Master 1765.
Several similar commodes exist by Foullet. Svend Eriksen Early Neo-Classicism in trance, lachenal king tut plate 132, greek end tables illustrates a similar commode by Foullet in Frederiksborg Castle Denmark, antique mirror with phoenix on which the central marquetry vase is after an engraving by Maurice Jacques.
Another was sold from the collection of  Ford II, black and gold empire dining table Christie’s New York, antique medal leg folding table 12th November 1981.

A SET OF FOUR LOUIS XV CARVED GILTwOOD FAUTEUILS, william and mary curvd walnut chair the cartouche-shaped backs within moulded and flower carved frames, antique table with eagle inlay the out-curved padded arms on moulded scroll supports, william and mary antique gate legged table the stuffed seats with curved seatrails carved with flowerheads on
cabriole legs ending in scroll feet, limousin lamp mid-18th Century.

A LOUIS XV MARQUETRY TABLE EN CHIFFONIERE stamped E. Levasseur JME, of kidney shape and inlaid with scenes of buildings on a flowerhead trellis ground, english 1670 antiques with
tambour cupboard at the front and two swing drawers at one side, qianlong celadon ceramics raised on cabriole legs, 2ft. 5in. high by lft. lOin. wide (74cm. by 56.5cm.) circa 1770.
Etienne Levasseur (born 1721) was received Master 1767.

A PAIR OF LOUIS XV ORMOLU-MOUNTED MARQUETRY AND PARQUETRY ENCOIGNURES stamped L. Boudin, old vintage antique umbrella with breche d’alep marble tops, crinoline stretcher the doors inlaid with trellis parquetry centred by lobed panels of musical trophies, how to identify a biedermeier chair with leaf-cast gilt-bronze corner mounts, antique brandt pedestal table apron mounts and sabots, masculine wooden coffee table 3ft. high by 2ft. 5′(92cm. by 75cm.) mid-18th Century.
Leonard Boudin, czechoslovakia chinalusterware 1735-1804, mahogany, rattan seat corner chair received Master 1761.

A PAIR OF GOOD EARLY LOUIS XVI GILT-BRONZE CHENETS, pie crust shapes in wood carving each in the form of pierced flaming urn on tripod support mounted with lions’ masks and swags of fruit, the bases cast with fluting and leafy scroll-work and surmounted by a pomegranate finial and with paw feet and plinth base, round deco dining table 16in. high (41cm.) circa 1775.

AN UNUSUAL LOUIS XVI GILT-BRONZE AND MARBLE CLOCK, the lord wharton sale christies 1970 the enamel dial contained in a case in the form of a man-of-war on a stormy sea, antique alabaster lady lamp and stand with the figures of Goddess holding a portrait of Louis XVI and a band with an inscription and a mariner holding an oar, tall shallow mission bookcase the rectangular base with a band of leaf-scrolls, square shaped shell cameo brooch high (47cm.) circa 1780, acanthus leaves are a feature oflater movement.
A similar clock is illustrated by Tardy, chinese chippendale pierced ladder back chairs La Pendule Francaise, narrow modern sideboard part II, crossbanded mahogany page 246.

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A Louis XV MARQUETRY SMALL SECRETAIRE EN PENTE, inlaid overall with florai marquetry on a chevron ground within gilt-bronze borders cast with leaves and strapwork, the sloping front enclosing a fitted interior with three small drawers and а well, and with shaped frieze and cabriole legs, 2ft. high by 2ft.wide (85cm. by 70cm.) mid-18th Century.

A Louis XV GILT-BRONZE MOUNTED MEISSEN FIGURE of a bagpiper, seated playing his instrument, on a leaf-scroll gilt-bronze base, 7in. high (17.5cm.) mid-18th Century.

A PAIR OF LOUIS XV GILT BRONZE CANDLESTICKS attributed to the Slodtz Brothers, with rococo cast nozzles, baluster stems and shaped bases, high (24cm.) mid-18th Century.

A very similar pair of candlesticks is in the Wallace Collection, catalogue number F76 and 77. In the catalogue entry Sir Francis Watson notes that: the design bears а general resemblance to а реп and ink drawing for a candle-stick by one of the brothers Slodtz, which is now in the Bibliotheaue Nationale, Paris (repr. Portefeuille, pl. 124).

The five Slodtz brothers were sons of Sebastien Slodtz (1655-1726). Three of them, Antoine-Sebastien (c. 1695-1754), Paul-Ambroise (1702-1758), and Rene-Michel (1705-1764), are known to have worked for the French Royal family and each in turn became Dessinateur de la Chambre du Roi.

A Louis XV BRONZE AND GILT-BRONZE ELEPHANT CLOCK, the circular white enamel dial signed Jean-Baptiste Baillon, the movement signed J-B Baillon a Paris, No. 1561, contained within a drum surmounted by a seated Chinaman and flanked by branches of porcelain flowers, all supported on the back of an elephant on a rockwork base mounted with four panels of black lacquer, 21in. high (53.5cm.) mid-18th Century.

A RARE LOUIS XV PAINTED AND GILT-BRONZE MANTEL CLOCK in the Chinese taste, the enamel dial signed L. Montjoye A Paris and with blue chapters and pierced gilt hands, the movementwith outside count wheel and short pendulum, the case composed of rococo shellwork, scrolls, leaves and flowers and with а топкеу cresting, two Chinese figures flanking the dial, their robes with scarlet linings and decorated with delicately drawn gilt flowers and birds, the rockwork base with a third and larger figure seated on the back of a lion, whin. high (54.5cm.) mid-18th Century.

A RARE LOUIS XV CHINOISERIE MANTEL CLOCK with a white enamel dial signed Etienne Le Noire A Paris, the similarly signed movement with outside numbered count wheel, and contained within a red-lacquered drum-shaped case surmounted by а lacquered bronze figure in a black and red robe picked out in gilding, supported on two similarly dressed figures, lOVzin. high by lOin. wide (21 cm. by 25.5cm.) mid-18th Century, original base missing, now with a kidney-shaped white marble base.

A very similar clock, in the Riahi Collection, also by Lenoir, and with identical chinoiserie figures, but with its original base and also branches of porcelain flowers was exhibited Louis XV, un Moment de Perfection de Г Art Frangais, Hotel de La Monnaie, Paris 1974, catalogue number 442, illustrated.

A Louis XV GILT-BRONZE, MEISSEN PORCELAIN AND LACQUER BOUGEOIR D’APPLIQUE with pierced leaf-scroll handle, faced with a seated figure holding two shells and flanked by flower-mounted branches, the base formed of a Japanese lacquer saucer centred by a leafy candle-nozzle, lOVzin. high (27cm.) mid-18th Century, snuffer lacking.

A LOUIS XV GILT-BRONZE MANTEL CLOCK, the circular white enamel dial signed Clement a Paris, and contained within a baluster-shaped case formed of moulded rococo scroll work, surmounted by a cloud and sun-burst cresting topped by a figure of cupid, struck with the crowned С mark, 19′/гт. high (50cm.).
A clock with similar case but surmounted by a cockerel and with a bracket is in the Rijksmuseum Amsterdam, and is illustrated by Tardy, La Pendule Frangaise, p. 193

A Louis XV/XVI SMALL TRANSITIONAL MARQUETRY COMMODE stamped J. N. MalleJME with moulded white mottled grey marble top, the carcase veneered in tulip-wood and with two drawersveneered sans travers with urns, domestic utensils and а wreath enclosing a basket of flowers, each side with an urn of flowers and raised on simple cabriole legs with ormolu mounts.
Louis-Noel Malle born 1734, was received Master in 1765 and died 1782.

A RARE Louis XV BOULLE ENCOIGNURE, the top elaborately inlaid with strapwork and florai decoration, the bowed front above a pair of cupboard doors similarly decorated with sphinxes and masks, with a curving apron and fluted canted corners applied with ormolu mounts, 2ft. 8in. high by 2ft. 5in. wide (82cm. by 74cm.) circa 1740, the top and door panels, circa 1700.

AN UNUSUAL LOUIS XV KINGwOOD wHEEL BAROMETER mounted in gilt bronze and with an 8-inch silvered register plate signed Сарру Paris below a Fahrenheit thermometer with tapering plate, the case in chevron-veneered wood and outlined with rococo mounts composed of scrollwork, leaves and flowers, 41cm. high (104cm.) mid-18th Century, altered.

Previously sold, together with the following lot, at Christie’s on 29th Типе 1972, Lot 59 Compare the barometer with identical mounts in the Wallace Collection (F 69; illustrated in the Catalogue, plate 3). The catalogue entry draws attention to a pair of boulle barometers with similar mounts in the collection of the Marquess of Cholmondley at Houghton Hall, Norfolk.

AN UNUSUAL LOUIS XV wALNUT TIMEPIECE THERMOMETER mounted in gilt-bronze and in the form of a wheel barometer, the Fahrenheit thermometer with arched silvered plate and the timepiece with a chased gilt dial, the movement with circular plates and silk suspension, the backplate signed Barnou Paris, the case veneered in straight-grained wood and with mounts matching the preceding lot, 40′/zin. high (103cm.) mid-18th Century, altered.
See footnote to the preceding lot.

A Louis XV MARQUBTEY TABLE, the shaped top with low three-auarters gallery, the fneze inlaid similarly to the top wi.h sprays ofPflowers aTd foliageZ an araaranth ground  kingwood bandings and containing a drawer at one sMe and а sl.de at the from on cabriole legs, with pierced rococo gilt-bronze cora.

XV/XVI TRANSITIONAL MARQUETRY COMMODE with a moulded motded white and grey marble top, with two drawers veneered sans travers, the frieze inlaid with writing utensils on agreen-stained ground, with three harewood panels, the central one with a nbbon-tied oval of cartographical instruments, the side panels with vases of flowers and the sides with swagged urns, the cabriole legs with lion’s head masks and hon-paw feet, 2ft. 9m. high by 3ft. 1 Vzin. wide (84cm. by 95cm) circa 1770.

A FINE PAIR OF MEISSEN PORCELAIN AND GILT-BRONZE CANDELABRA, in the form of a seated shepherd and shepherdess in flower-sprigged clothes and hats, on pierced flower and leaf-cast bases, each with a flowering tree behind nozzles, lVMn. high (29.5cm.) mid-18th Century.

A LATE LOUIS XV GILT-BRONZE CARTEL CLOCK, the enamel dial signed Ches. Balthazar Fils and with pierced gilt hands, the movement with chamfered corners to the plates, altered verge escapement with silk suspension and outside count wheel, the back-plate signed Ches. Balthazar fils A Paris No. 102, in a well modelled case with an urn cresting, pine-apple finials, drapery and acanthus framing the dial and a maskof Flora below, her hair dressed with a string of pearls and a wreath of summer flowers.
Louis-Charles Balthazar (the name is seen spelt several ways), son of Henri-Charles, was received Master in 1761 or 1768.

A Louis XV GILT-BRONZE MOUNTED MEISSEN ORNAMENT, in the form of a vase of flowers supported on flowering branches flanked by two seated sheep, on pierced leaf-scroll base, lOin. high (25.5cm.) mid-18th Century.

A PAIR OF GILT-BRONZE, MEISSEN PORCELAIN AND TOLE PEINTE CANDELABRA, each with a seated figure, one of a bagpipe player, the other of a lady with a dove, on leaf-cast bases and each with a tree behind mounted with porcelain flowers and supporting two candle-nozzles, stamped with the crowned С mark, lO’hin. high {27cm.) circa 1745-49

A LATE LOUIS XV MARQUETRY BONHEUR DU JOUR, the galleried superstructure with three cupboard doors above three drawers with spring-operated opening-mechanisms, the projecting table stand with a fitted writing drawer, raised on cabriole legs ending in gilt-bronze sabots, inlaid on all sides with pictorial scenes, trophies, urns and household objects, 3ft. wide (103cm. by 80cm.) circa 1770, bearing a paper label Earlof Rosebery.
Provenance: The Earl of Rosebery, Mentmore Towers, sold in these rooms 17th April 1964.

The present piece is sold with instructions on the working of the catches and lock and attention is drawn to the fact that the key to unlock the main drawer must not be turned more than one-eighth. Once the key is turned too far the drawer remains locked and can only be opened by removing bolts from the bottom of the table.

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A FINE Louis XV GILT-BRONZE MOUNTED COROMANDEL LACQUER LONGCASE CLOCK, antique dining chairs acorn legs the circular white enamel dial (damaged) signed Lepaute Her du Roy A Paris and contained within an arched ebony-veneered hood surmounted by a reclining female figure holding a cartouche, pastille burner german factory flanked by cherub terms, riesener jewel cabinet for the comtesse de provence the swelling lower part faced with a scene of waterside pavilions contained within a leaf-cast moulded gilt bronze border, salopian pottery with serpentine-fronted plinth, jacobean style sideboards 8ft. 8in. high (267cm.) mid-18th Century.

A Louis XV BLACK LACQUER COMMODE with gilt-bronze mounts and stamped M. Criaerd and LB, early american drop-leaf coffee table with a mottled grey and bulls’-blood marble top above two deep long drawers decorated in gold with a flower vase flanked by birds in landscapes and applied with elaborate scroll florai mounts and handles, lion mask handle desk on cabriole legs ending in sabots, the mounts stamped with the crowned mark, antique spanish leather coffee table 2ft. circa 1745-9.
Mathieu Criaerd, antique wood inlay designs flowers 1689-1776, antique bed new york blonde wood received Master 1738 See also note to lot 49

A PAIR OF GILT-BRONZE AND CELADON POTS POURRIS, english chiffonier each crackle-glazed bowl and cover with shell and branch handle, engkish antique chest 18 th century pierced and leaf-cast rim, 17th century walnut gateleg table berry-cast leaf-scroll handles and pierced flower and leaf-cast scroll bases, william chawner silver sauce tureen 16in. high (41cm.).
A pair of Celadon pots-pourris with similar gilt-bronze pierced rims and foot-mounts is in the J. A. de Rothschild Collection at Waddesdon Manor, english ironstone manufacturers Catalogue number 196.
One with similar knop or handle to the cover is in the Wrightsman Collection, antigue desk with lions head Catalogue number 246.

PAIR OF Louis XV GILT-BRONZE MOUNTED TOLE VASES of baluster shape and with pierced leaf-cast rims and similar bases, antique 5′ pedestal roll top desk leather 1880 12Vzin. high (32cm.) mid-18th Century.

A Louis XV BRONZE AND GILT-BRONZE BULL MANTEL CLOCK, double back settee the circular white enamel dial signed Causard a Paris, antique gate leg tables and supported on the back of a bull standing on a gilt-bronze base, antique bookcase styles 1 Tin. high (44cm.) mid-18th Century.

A FINE Louis XV GILT-BRONZE MOUNTED KINGWOOD PARQUETRY BUREAU PLAT, the tooled leather top with a cross-banded and brass-bound frame above three frieze drawers, chinese mother of pearl dining table on cabriole legs with espagnolette mounts, 1958 cherry stickley table chairs and scrolling sabots, antique individual fish knives and forks english ivory handle 2ft. 8in. high
by 5ft. lOin. zoide (81cm. by 178cm.) circa 1760, antique paw foot dresser brandedE.H.B.
The brand EHB is for Edward Holmes Baldock, reproduction elijah and the widow staffordshire figures one of the most importam 19th Centurv dealers in period and contemporarv furniture. His influence on English taste in the early and mid-19th Century is discussed by Geoffrey de Bellaigue in Edioard Holmes Baldock, antique high backed studded tapestry material period chair parts 1 and 2, antique buffet with four legs in the front and ball in center Connoisseur, cast figural bronze of a seated cat on an oval base mene August and September, large regency gilt frames 1975.

PAIR OF LOUIS XV CARVED GILTWOOD CONSOLE TABLES with mottled apricot-coloured marble tops, 1910’s chest of drawers the pierced friezes carved with flowers and leafy scroll-work, antique chairs with stamped numbers the in-scrolled moulded legs similarly carved and headed by female busts, english delftware puzzle jug, 18th century the stretchers centred by flower and leaf panaches, george stockwell 1915 watch 2ft. 8. high by 3ft. 9in. wide (82.5cm. by 114cm.) circa 1740.

A Louis XV PAINTED BERGERE with moulded flower-carved frame, 42cm wide wallpaper arched back, padded arms, rococo pine mirror loose-cushioned seat and cabriole legs, how much is george fourth dining table table worth circa 1755.

A LOUIS XV CARVED GILTWOOD FIRESCREEN, anglo-swedish greek key vases the moulded cartouche-shaped frame carved with flowers, desks from antique sewing table leaves and scrolls and with similarlv carved trestle feet, carving in the furniture made by david roentgen with rising panei covered on one side with a Beauvais tapestrv panei after Jacques Neilson woven with a ribbon-tied spray of flowers on a scarlet damask ground, antique english blue transfer print dishes 3ft. ‘Mn. high by lft. 11 wide (93cm. by ??.) circa 1755.

A PAIR OF LOUIS XV CARVED GILTWOOD CONSOLE TABLES, ornate turned leg bookshelves with serpentine marble tops, stratford on avon large marble table table the pierced friezes and legs carved with flowers, antique operator stools leaves and scrolls, r antiques rosewood drum table scotland the stretchers each in the form of a dog and a bird, 19th century new york dining chairs 3ft. high by 2ft. llin. wide (91cm. by 89cm.) circa 1745.

A SET OF FOUR LOUIS XV CARVED GILTWOOD FAUTEUILS, fine bohemian china czechoslovakia the moulded frames carved with flowers and leaves, gateleg table with drawer with stuffed cartouche-shaped backs, 1920 dressing tables padded arms and stuffed seats, wrought iron trestle table support circa 1755.

A RARE Louis XV GILT-BRONZE, spanish antique desk BRONZE AND STAINED HORN QUARTER-REPEATING BOAR ORGAN CLOCK with a convex enamel dial signed Autran A Montelimart, silver sheffield teapot 1811 the movement with pull quarter repeat on three bells with outside work, ane bohemian china outside numbered count wheel and altered pendulum adjustment work, parian models wedgwood the backplate signed Jean Francois Autran A Montelimart, carved waxed double bed the case surmounted by a putto and supported on the back of finely modelled boar, english georgian slant front desk price the organ with fusee movement, european baroque antique furniture imports wood pin-drum and fourteen pipes, all contained in the serpentine casket-shaped base, antique claw ball commode veneered in green-stained horn and with a gadrooned border, claw footed chest of drawers latticework frets on all sides, antique watches in demand the front with a basket and sprays of flowers, french style cardtable and acanthus scroll corner mounts continuing to form the feet, bentwood chairs antiques 29???. high by
21in. wide (75cm. by 53cm.) circa 1750.
A very similar clock with an elephant support, the influence of the neoclassical style the movement by Viger, kem weber streamline art deco chair is in the Edward James Collection and was on exhibition at the Brighton Art Gallery and Museum, small antique mahogany table illustrated plate 4a in the loan catalogue.
Another, william and mary 2 drawer chest on stand again very similar but with a rhinoceros support, fine bohemian china made in czechoslovakia before world war ii the mounts stamped with the crowned ? and the movement by Gudin, 19th century philadelphia banjo clock was sold at Christie’s on 6th July 1978, french country louis xv needlepoint arm chair Lot 37.

PAIR OF Louis XV SOFAS stamped E. Meunier, what are antique royal baby beds in 1600 italian renaissance. the frames carved with leaves
and grenades, silenus chiurazzi with stuffed backs, who were v.i.ps of the 1920 padded arms, george iii keyhole dressing desk loose cushion seats and cabriole legs, 4ft. 4in. wide (132cm.) circa 1745 Etienne Meunier, antique sheraton painted chairs menuisier during the reign of Louis XV.

A Louis XV SMALL BERGERE, used antique 1700 coffer the moulded, antique plaster plates leaf-carved frame sweeping around to form the arms, vintage horsehair sofa value with a loose squab cushion and leaf-carved apron on cabriole legs, c shaped chair circa 1750, country french ironstone restored, antique wooden gilt jardiniere base the end of a duchesse brisee.

A Louis XV KINGwOOD PARQUETRY COMMODE stamped Fromageau JME with grey mottled marble top, woods flock mattress the serpentine bombe front with two short drawers centred by ?
concealed drawer above two long drawers with pierced leaf-cast rococo mounts, 2ft. 10V2tn. high by 4ft. 2lhin. wide (88cm. by 128cm.) mid-18th Century.
Jean-Baptiste Fromageau, large victorian burr walnut extendable dining table reproduction for cheap received Master 1755.

A Louis XV GILT-BRONZE AND PORCELAIN MANTEL CLOCK, wooden doors design/exterior english doors/withsidepanelling the white enamel dial contained within a Chinese turquoise porcelain drum and signed Andre Furet a Paris, supported on the back of a Meissen elephant standing on a well modelled gilt-bronze base cast with rocks and foliage, antique black lace umbrella circa 1750, german shrunk furniture damaged.

A Louis XV GILT-BRONZE MOUNTED KINGWOOD PARQUETRY COMMODE, antique carved eagle mahogany chair the arc-shaped front containing two short and one long drawer, 18th century sideboard mahogany on splayed legs, most popular antigue round oak tables 2ft. 9in. high by 3ft. 1 OVzin. wide (84cm. by 118cm.) circa 1745, antique t shaped chair marble top lacking.

A Louis XV KINGWOOD PARQUETRY COMMODE stamped M. Criaerd and with gilt-bronze mounts, russian neoclassical antique the mottled brown marble top above two drawers applied with
flowers and scroll mounts and handles, dutch oak sidetable on cabriole legs ending in sabots, build a shallow chests of drawers 2ft. lOin. high by 3ft. (86cm. by 115cm.) circa 1750.
Mathieu Criaerd, s fox umbrella ivory handle 1689-1776, horsehair table coffee received Master 1738.

A PAIR OF Louis XV BRONZE AND GILT-BRONZE CHENETS, www.antique watches each formed of boldly modelled scroll-work terminating in a spray of flowers and leaves, fenton bros.silver entre dish one with a seated figure of a Chinaman and the other a lady, antique reproduction wood plate shelves 18in. high (46cm.) mid-18th Century.
An almost identical pair of chenets, reproduction chippendale mahogany tray top table made for Madame de Pompadour’s use at the Chateau de Bellevue, royal worcester animas painted by j. stintong is now in the Louvre, types of antique cocktail table Catalogue no. 319. Another pair, north italian painted chest illustrated in Connaissance des Arts, tuscan gothic furniture Le XVIIIe Siecle Frangais, worcester imari antique p. 122, antique music stand mahogany and brass fig. C., glass table with large casters is said to be signed F-Th. Germain, identifying antique welsh dresser more famous as a goldsmith, victorian corner serpentine buffet who made the pair of gilt-bronze wall-lights for the apartments of the Duc d’Orleans at the Palais Royal, john pitt antique clockmaker history offered for sale Sotheby’s Monte Carlo, friezes cupboard 15th June 1981, antique dresser with 3 shallow drawers and two deep drawers Lot 148. Another pair is in the Collection of the Duke of Marlborough at Blenheim Palace, mackintosh bugatti chair price and another pair is in the Wrightsman Collection, english 18tyh century armchair Catalogue ??. 192A & ?.

A FINE PAIR OF GILT-BRONZE AND MEISSEN PORCELAIN VASES, french antique settee gold and black tub style with leaf and
flower-cast handles, 16th century bronze mortar supported on leafy branches mounted with porcelain flowers and
each standing on the backs of two deer on pierced leaf-cast rococo bases, octagon table with an s curve inlaid top stamped with the
crowned ? mark, mutton jade 12in. high (31 cm.) mid-18th Century.

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Louis XV GILT-BRONZE CANDELABRA, LOUIS XV GILT-BRONZE CARTEL CLOCK, Louis XV PAINTED BERGERE, LOUIS XV GILT-BRONZE CARTEL CLOCK, Louis XV BLACK LACQUER COMMODE

A PAIR OF Louis XV GILT-BRONZE CANDELABRA, each with a seated Chinese
figure with a gilt-bronze tree at one side mounted with porcelain flowers, on pierced
rococo bases, 13in. high (33cm.) mid-18th Century.

A PAIR OF LOUIS XV GILT-BRONZE AND MEISSEN PORCELAIN CANDELABRA, each with a seated figure, one of Summer and the other of Winter, with flowering branches behind, each

supporting two candle-nozzles, 8in. high (20cm.) mid-18th Century.

AN IMPORTANT LOUIS XV GILT-BRONZE CARTEL CLOCK, the circular white
enamel dial signed F2^ Berthout, Paris, and surmounted by a cherub playing with doves
in a cloud-borne chariot before a sun-burst, with Venus and Cupid below the dial, 3ft. 5in.
high (105cm.), mid-18th Century, later dial and movement.
A cartel clock with almost identical case in the Kunstindustrimuseet, Oslo, is illustrated by Tardy, La Pendule Frangaise, p. 193.

A Louis XV PAINTED AND PARCEL-GILT MARQUISE, with flower-and leaf-carved
moulded frame, the upholstered back, padded arms and stuffed seat covered in con-
temporary Aubusson tapestry with a figure and animals, raised on cabriole legs, mid-18th
Century.

A Louis XV PAINTED FAUTEUIL, the padded back with moulded arched top lightly carved with flowers, with padded arms and the serpentine fronted flower-carved seatrail on cabriole

legs headed by flowers, painted in gilt and white, circa 1750.

A FINE Louis XV GILT-BRONZE CARTEL CLOCK, the damaged enamelled dial
signed Lepaute Hger. du Roy, and with calendar hand, the movement now with vertical
Iever escapement, the case composed of shellwork decorated with sprays of flowers and
with figures of Flora as cresting and a triton below, the base stamped Caffieri Fecit, 43in.
high (109cm.) circa 1755, the dial and movement altered.

A Louis XV KINGWOOD AND TULIPWOOD PARQUETRY BUREAU PLAT stamped А
Criaerd JME and with a cartouche-shaped tooled leather brass-bound top, with three
frieze drawers on cabriole legs with elaborate gilt-bronze scrolling mounts ending in
sabots, the whole inlaid in a geometric design, the mounts ivith the crowned С mark,
2ft. 4in. high by 5ft. 3lhin. wide (71 cm. by 130.5cm.) circa 1745-9.
Andre Criaerd, ebeniste in the reign of Louis XV.
The crowned С was a tax mark used between 5th March 1745 and 4th February 1749 on copper and all alloys incorporating copper. The letter С (for Cuivre) appears in two or

possibly three sizes.

A Louis XV PAINTED BERGERE, the stuffed curving back within a moulded and
leaf-carved frame with padded, down-curved arms on cabriole legs carved with flower-
heads at the knees, circa 1750.
Provenance: One of the pair of bergeres in the collection of Anna Thomson Dodge, sold Christie’s 24th June 1971, lot 51.

A Louis XV BEECHWOOD BERGERE, the padded rectangular back within а
moulded leaf-carved frame flanked by projecting wings, with out-curved padded arms and
loose cushion serpentine-fronted seat, on cabriole legs carved with cabochons at the knees,
circa 1740.
Formerly in the collection of Mrs. Меуег-Sassoon, sold in these Rooms 25th June 1965, Lot 85.

AN EARLY LOUIS XV WALNUT FAUTEUIL, the moulded frame with an arched
back topped by a melon-flower, with padded arms and scroll supports and the flower-
carved serpentine-fronted seatrail on moulded cabriole legs, circa 1750.

A PAIR OF REGENCE BRONZE AND GILT-BRONZE CHENETS, each in the form of а
dragon, standing on an elaborate scroll base cast with leaves, lVhin. high (29cm.) circa
1720.

A PAIR OF LOUIS XV GILT-BRONZE CANDELABRA, each with a seated Chinese
figure with a gilt-bronze tree at one side mounted with porcelain flowers, on pierced
rococo bases, 13in. high (33cm.) mid-18th Century.

A PAIR OF Louis XV GILT-BRONZE AND MEISSEN PORCELAIN CANDELABRA, each with a seated figure, one of Summer and the other of Winter, with flowering branches behind, each

supporting two candle-nozzles, 8in. high (20cm.) mid-18th Century.

AN IMPORTANT LOUIS XV GILT-BRONZE CARTEL CLOCK, the circular white
enamel dial signed Berthout, Paris, and surmounted by a cherub playing with doves
in a cloud-borne chariot before a sun-burst, with Venus and Cupid below the dial, 3ft. 5in.
high (105cm.), mid-18th Century, later dial and movement.
A cartel clock with almost identical case in the Kunstindustrimuseet, Oslo, is illustrated by Tardy, La Pendule Frangaise, p. 193.

A Louis XV KIDNEY-SHAPED MARQUETRY TABLE EN CHIFFONIERE, the top inlaid
with a florai cartouche containing a musical trophy, above a tambour panelled to resemble
bound leather books and enclosing an arrangefnent of four drawers, with two hinged
drawers at one side, on hipped cabriole legs ending in sabots, 2ft. 4Шп. high by lft. lOin.
(72cm. by 56cm.) circa 1760.

A FINE LOUIS XV MARQUETRY TABLE stamped BVRB and with gilt-bronze
mounts, the hinged serpentine top inlaid with chrysanthemum, carnations and tulips
within a strapwork frame and enclosing a compartment, the frieze with a slide and a fitted
drawer at one side, on cabriole legs with flower-cast mounts joined by a conforming
platform stretcher and ending in sabots, 2ft. high by lft. 5in. wide (69cm. by 43cm.)
mid-18th Century.
Bernard van Risenburgh II (Vanrisenbergh), received Master before 1730, died c. 1765.

A Louis XV KINGWOOD AND TULIPwOOD PARQUETRY COMMODE, stamped
Macret, of serpentine shape with gilt-bronze mounts and mottled rust and grey marble
top, the two short and one long drawer raised on splayed legs, 2ft. 9in. high by 3ft. 2V2in.
wide (84cm. by 98cm.) mid-18th Century.
Pierre Macret, 1727—c. 1796, ebeniste privilegie to Louis XV.

A Louis XV BLACK LACQUER COMMODE stamped Lardin, with a mottled grey marble top and of bombe serpentine shape, the front with two short and one long drawer and inset with

Chinese lacquer panels of figures and flowering trees, the mounts formed of attenuated leafy scroll-work in the form of a central cartouche, encadrements, corner mounts and

sabots, 2ft. lOin. high by 3ft. 9in. wide (86cm. by 114cm.) circa 1750.
Andre-Antoine Lardin, 1724-1790, received Master in 1750

A Louis XV EBONISED LONGCASE CLOCK, the twenty-five piece enamel dial signed Goret A Paris and with similarly signed backplate and centre seconds, the movement with rectangular

plates, replaced anchor escapement, compensated grid-iron pendulum and outside numbered count-wheel, the shaped case with panels outlined in stringing and a bull’s eye, the

whole decorated with gilt-bronze mounts composed of foliate scrolls and bands of guilloche, 7ft. 2in. high (218cm.) circa 1730.

A LOUIS XV GILT-BRONZE MOUNTED PARQUETRY COMMODE, the serpentine
bombe front with two short and two long drawers, mounted with leaf and flower-cast
rococo mounts with hoof sabots, 2ft. lOin. high by 4ft. 2in. wide (86cm. by 127cm.) circa
1740, marble top lacking.

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ITALIAN WALNUT CASSONE, SPANISH WALNUT TABLE, GERMAN SERPENTINE-FRONTED WALNUT COMMODE, XVI PROVINCIAL GILTWOOD LOOKING-GLASS, Louis XV WALNUT BOW-FRONTED STANDING CORNER
CUPBOARD

AN ITALIAN WALNUT CASSONE, the deeply panelled
top outlined with bead-and-reel, guilloche and egg-and-
dart mouldings, the sides and three panel front similarly
outlined and raised on massive paw feet, 2ft. 6in. high by
4ft. 21/iin. wide (61cm. by 128cm.) late 16th Century,
restored and top 19th Century.

AN ITALIAN WALNUT CASSONE, the moulded top
with an applied fluted moulding with panelled front and
sides and bracket feet, lft. lin. high by 3ft. llin. wide
(48cm. by 120cm.) 17th Century.

A TUSCAN WALNUT CASSONE, the front with a
central panel with a border of fruit, acorns and leaves,
flanked by term figures and raised on pad feet, lft. IVkin.
high by 4ft. 9in. wide (59.5cm. by 145cm.) mid-16th
Century.

A WALNUT Box, of rectangular shape, 22in. wide
(56cm.) 17th Century, probably Italian.

A GOOD SPANISH WALNUT TABLE, the rectangular
top raised on crisply turned legs and stretchers, 18th
Century, feet restored.

A DUTCH MAHOGANY AND MARQUETRY BEDSIDE
CUPBOARD, the inlaid top with a shaped gallery, the
open shelf with a drawer on the left, raised on turned
legs with pad feet, 2ft. 4in. high by lft. Hin. wide (71cm. by
58cm.) distressed.

A GOANESE IVORY-INLAID ROSEWOOD BOX, the exterior and fall front with a variety of circular geo¬metric designs and enclosing an arrangement of one long, four short and one deep

drawer with engraved ivory panels, lft. 2in. wide (35.5cm.) early 18th Century.

A DUTCH CARVED GILTWOOD OVERMANTEL GLASS,
with arched rectangular plate, the shaped cresting carved
with foliage and scrolls centred by a cypher, 4ft. 3in.
high by 3ft. 7in. wide (130cm. by 109cm.) early 18th
Century.

A GERMAN SERPENTINE-FRONTED WALNUT COMMODE,
with moulded top with a bracket crossbanding, three
long drawers each with two panels, with shaped apron,
the top and drawers with small inlaid floral decoration,
2ft. 6in. high by 3ft. lOin. wide (76cm. by 117cm.) circa
1750.

A Louis XV BEECHWOOD FAUTEUIL with moulded
flower-carved frame, stuffed back, padded arms, stuffed
seat and cabriole legs, mid-18th Century, covered in blue
and white floral needlework.

A FLEMISH WALNUT COMMODE, the moulded top with slightly shaped front, the two long drawers each inlaid with stringing, on cabriole legs with pieds de biche, 2ft. TMn. high by

3ft. lin. wide (80cm. by 94cm.) mid-18th Century, interior extensively re-constructed.

A GOOD WALNUT FIRE-SCREEN, the cross-grained
moulded frame carved with flowerheads and foliage at
the top and base, on short cabriole legs, 4ft. l’hin. high
by 3ft. 5in. wide (126cm. by 104cm.) circa 1755, possibly
German.

A GOOD LIEGEOIS CARVED ARMOIRE ON STAND, the serpentine top with an applied carved and pierced rococo cresting above a pair of conforming fielded doors carved with rocailles,

the sides with similar simpler rectangular panels and with a frieze drawer below, on six inverted baluster-shaped legs joined by moulded X-stretchers, 8ft. 6in. high by 6ft.

7in. wide (259cm. by 201cm.) mid-18th Century, stand replaced
V Dr. Joseph Philippe’s Meubles, Styles et Decors
entre Meuse et Rhin illustrates an armoire of similar
form as plate 320.

A DUTCH MAHOGANY CYLINDER BUREAU with fitted
interior, the serpentine bombe lower part with three
drawers, on splayed feet, 3ft. 8′/2in. high by 3ft. 8V2in.
wide (113cm. by 113cm.) circa 1770.

A MAHOGANY CUPBOARD, with an arched moulded
cornice and a pair of panelled doors, 4ft. 2in. high by
3ft. lin. wide (127cm. by 94cm.) circa 1770, possibly Portu-
guese, the cornice with later finials, originally with a
lower part.

A Louis XV WALNUT BOW-FRONTED STANDING CORNER CUPBOARD, the pair of doors with shaped fielded panels, on scroll feet, 6ft. 8′/гт. high by 2ft. Win. wide (204cm. by 87cm.)

mid-18th Century, extensively re-built.

A Louis XVI PROVINCIAL GILTWOOD LOOKING-
GLASS, with an arched rectangular plate, the mirrored
border with narrow gilt mouldings and with scroll and
leaf cresting, 2ft. 2lhin. high by lft. 6in. wide (67cm. by
46cm.) circa 1775.

AN EARLY LOUIS XVI PROVINCIAL WALNUT MINIA¬TURE ARMOIRE, with moulded arched top, fluted frieze, the conforming door with four glass panels, above a fluted drawer and scroll

legs, with pine sides, 3ft. 3in. high by 2ft. 3in. wide (99cm. by 69cm.) circa 1780.

A NORTH ITALIAN WALNUT POUDREUSE, the hinged
top inlaid in satinwood with ebony stringing and enclos-
ing a fitted interior with a plain frieze, on turned fluted
tapering legs headed by paterae, 2ft. 6in. high by 2ft. 5in.
wide (76cm. by 74cm.) late 18th Century.

A NEAPOLITAN PARQUETRY COMMODE in quarter-
veneered kingwood and with a serpentine front and
shaped sides, the three graduated long drawers in
quarter-veneered wood and with chequered borders and
medaillons picked out in mother-o’-pearl, the sides similarly
inlaid, with a shaped apron and splayed legs, 3ft. 21hin.
high by 4ft. 6in. wide (97cm. by 138cm.) circa 1770, with
restoration, top possibly re-veneered.

A WALNUT FAUTEUIL with a moulded padded spade
shaped back, padded arms and the serpentine fronted
seatrail on square tapering legs headed by paterae, circa
1780, probably Dutch.

A DUTCH MAHOGANY ARMOIRE, the broken pediment
faced with dentil moulding and centred by an urn, above
a pair of panelled doors faced with portrait roundels,
urns and paterae and enclosing shelves and small
drawers, the lower part with three long drawers, the
apron carved with interlaced foliage, raised on fluted
feet, 8ft. lin. high by 5ft. 9in. wide (246cm. by 175.5cm.)
circal780.

A DUTCH MAHOGANY SECRETAIRE A ABATTANT
with a frieze drawer, fall front and a pair of doors, with
fluted canted corners and feet, 4ft. 8in. high by 2ft. U’Mn.
wide (142cm. by 90cm.) circa 1780.

A Louis XV PROVINCIAL INLAID ELMWOOD CHEST, the moulded top, the front with foin* fielded panels, inlaid with simple foliate designs in light and dark wood out-lined with brass

studs, 2ft. 3in. high by 5ft. luin. (68cm. by 178cm.) circa 1770, possibly Breton.
V Giselle Boulanger’s L’Art de Reconnaitre les Meubles
Regionnaux illustrates an elm bench with similar.

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MAHOGANY DINING CHAIRS - SERPENTINE COMMODE - BREAKFRONT BOOKCASE - PAINTED AND PARCEL-GILT TORCHERES

A SET OF FOURTEEN EARLY GEORGE III MAHOGANY DINING CHAIRS including a pair of Armchairs, the backs with serpentine toprails and pierced vase splats with moulded incurved arms,

dipped leather-covered seats and square moulded legs joined by H-stretchers, circa 1765, ail re-railed and with later castors.

A GEORGE III MAHOGANY TRIPOD TABLE, the circular top with a brass-inlaid moulded rim and baluster and openwork gallery, the fluted and acanth^leaf-carved baluster stem on

cabochon-carved legs with acanthus leaf scroll toes, 2ft. 5Vnn. htgh by 2ft. 2in. diameter (75cm. by 66cm.) circa 1765.

A GEORGE III MAHOGANY TRIPOD TABLE, the circular top with a moulded rim and baluster gallery, on a turned tapered stem and moulded inscrolled tripod base, 2ft. 6V4in. high

by2ft. 5in. diameter (77cm. by 74cm.) circa 1760.

A SET OF FOURTEEN EARLY GEORGE III MAHOGANY DlNING CHAIRS including a
pair of Armchairs, the backs with serpentine toprails and pierced vase splats with moulded incurved arms, dipped leather-covered seats and square moulded legs joined by

H-stretchers, circa 1765, ail re-railed and with later castors.

AN EARLY GEORGE III MAHOGANY SERPENTINE COMMODE, the moulded top with projecting square corners and four graduated long drawers with original brass loop handles, with shaped

sides and square fluted corners, on short square tapering legs, 3ft. high by 4ft. 2in. wide (92cm. by 127cm.) circa 1775.

AN UNUSUAL GEORGE III MAHOGANY SERPENTINE-TOPPED TEA TABLE, on Cluster columned legs headed by acanthus leaf capitals and moulded scrolling brackets and joined by a later turned

X-stretcher, 2ft. min. high by 2ft. IV/iin. wide (70cm. by 90cm.) circa 1765.

A GEORGE III MAHOGANY BREAKFRONT BOOKCASE, the moulded top with Greek key and Chinese blind fretwork and centred by a broken triangular pediment, with four astragal glazed doors

below enclosing adjustable shelves, the lower part with a slide above two short and one long drawer and a pair of cupboard doors below flanked by three drawers, on a plinth

base, 8ft. 2in. high by 7ft. lin. zvide (249cm. by 231cm.) circa 1770.

A SET OF EIGHT EARLY GEORGE III MAHOGANY CHAIRS including a pair of Armchairs, the moulded backs with serpentine toprails and pierced vase splats, the arms with outscrolled

handles and the dipped stuffed seats on square moulded legs with H-stretchers, circa 1770, restored and one with back damaged.

A GEORGE III BRASS-BOUND MAHOGANY OCTAGONAL WINE-COOLER, the hinged lid with a beaded interior, with brass carrying handles at the sides, on a conforming stand with a fluted

frieze on splayed moulded square legs and brass castors, 2ft. 3in. high by 2ft. lin. zvide (69cm. by 63.5cm.).

A PAIR OF GEORGE III PAINTED AND PARCEL-GILT TORCHERES, each circular stepped top applied with gilt plaster leaves and raised on an elegant column and three Hat tapering

supports headed by well-carved rams’ heads and joined by a concave guilloche band, on drum bases, 5ft. lin. high (155cm.) circa 1775.

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GEORGE II GILTWOOD PIER GLASS - MAHOGANY LIBRARY ARMCHAIRS - IRISH MAHOGANY BOTTLE TRAY - CARVED GILTWOOD SIDE TABLE

A LATE GEORGE II GILTWOOD PIER GLASS, the shaped central mirror plate surrounded by several small mirrors and surmounted by one large mirror, all contained in frames boldly carved with leaves, rocaille C- and S-scrolls and the apron with a central rococo cartouche, 8ft. Hin. high by 5ft. 2in. wide (212cm. by 157cm.) circa 1755, possibly Irish, some eagles missing.

A PAIR OF GEORGE II MAHOGANY LIBRARY ARMCHAIRS, the rectangular stuffed backs with padded arms and downswept acanthus leaf-carved supports to a stuffed seat, the seatrails centred by an acanthus leaf spray within a double scroll and flanked by acanthus leaf carving, the scrolled and acanthus leaf-carved legs on hairy paw feet, circa 1755, probably Irish.

A RARE LATE GEORGE II MAHOGANY WARDROBE OR PRESS, the tall moulded cornice centred by a scroll panel with a pair of blind thirteen-panel doors, the bars centred by Gothic strapwork and enclosing three tray shelves, flanked by moulded canted corners, the lower part with a blind fret frieze containing a pair of drawers above three long drawers with canted corners and gadrooned ogee feet, 6ft. 5in. high by 4ft. 2in. wide (196cm. by 127cm.) circa 1750.

A FINE GEORGE III MAHOGANY RENT TABLE, the leather-lined top centred by a crossbanded hinged flap with engraved brass escutcheon, the frieze with wedge-shaped drawers inlaid with ivory letters of the alphabet, on a turned stem and four cabriole legs with castors, 2ft. 4in. high by 3ft. 8in. diameter (71cm. by 112cm.) circa 1760.

AN EARLY GEORGE III IRISH MAHOGANY BOTTLE TRAY with central pierced handle and eight divisions, the frieze centred by a shell and carved with acanthus leaves on acanthus leaf-carved cabriole legs and carved pad feet, Ift. Win. high by 2ft. lin. wide (56cm. by 63.5cm.) circa 1760.

A GOOD GEORGE II MAHOGANY BOWL STAND, the moulded ring-support on three pillars joined by a triangular platform with two drawers and a lidded spherical bowl, raised on three

pillars joined by a platform raised on cabriole legs, 2}t. 7V2in. high by lft. diam. (80cm. by 31cm.) circa 1740.

A FINE GEORGE II MAHOGANY TRIPOD TABLE, the shaped circular hinged top on a “bird-cage” support and stop-fluted pillar, the cabriole legs carved with leafy cabochons at the

knees and ending in pad feet carved with rieh cabochons, 2ft. 5V2in. high by 3ft. diameter (74cm. by 91cm.) circa 1750.

AN EARLY GEORGE III MAHOGANY SIDE TABLE with a rectangular mottled beige marble top, the freize inlaid with a Chinese fret pattern, on chamfered legs headed by later pierced brackets, 2ft. 6l/2in. high by 4ft. 4in. wide (77cm. by 132cm.) circa 1765, one back leg damaged.
A design for a side table, very similar to the above lot, appears in Thomas Chippen-dale’s Director (1754), plate XVI.

A FINE MID-18TH CENTURY MAHOGANY COMMODE, the serpentine top with a moulded and leaf-carved edge above a pair of shaped doors carved with elongated acanthus scrolls and joined at the tops by garlands of ribbon-tied flowers, the canted corners carved with corbels with trailing flowers and leaves below, the apron carved with scrolls and acanthus leaves and centred by a mask, on short cabriole legs carved with cabochons at the knees and on foliate scroll feet, 2ft. 11 in. high by 3ft. lin. wide (89cm. by 109.5cm.) circa 1750, possibly Irish.

A LATE GEORGE II CARVED GILTWOOD SIDE TABLE, with veneered rosso antico marble top, leaf-carved frieze with central pierced leafy cartouche, the square panelled tapering leg applied with chains of flowers and leaves and ending in block feet, 2ft. Win. high by 5ft. lin. wide (87cm. by 154cm.) circa 1760.

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GERMAN WALNUT PARQUETRY COMMODE - WALNUT CABINET ON CHEST - LOUIS XV GILTWOOD AND GESSO CONSOLE TABLE - LOUIS XV KINGWOOD AND WALNUT PARQUETRY COMMODE

A GERMAN WALNUT PARQUETRY COMMODE, antique bed with rolling pin top the moulded top with two quarter-
veneered panels enclosed by a broad quarter banding, antique glazed pottery hand signatures engraved hilda the serpentine front with three
long drawers with a similar design and with unusually moulded front corners, antique half round commodes with scroll-
carved apron and cabriole feet, rectangle tea table antique carved 3ft. lin. high by 4ft. 3V2in. wide (94cm. by 131cm.) circa
1740, lions foot table handles replaced.

A GOOD SOUTH GERMAN SERPENTINE-FRONTED INLAID WALNUT ARMOIRE with a
moulded comice above a frieze inlaid with a dummy drawer, antique lyre chairs the pair of serpentine doors
each with two panels with engraved strapwork on a pale wood ground within a border of
inlaid strapwork in purple-heart and burr-elm, wooden carved musicians figurinesantique divided and flanked by strapwork and
inlaid pilasters with engraved pewter and headed by Corinthian capitals; the serpentine
base with a drawer centred by a shallow applied corbel and the canted corners flanked
by similar corbels on bun feet, small flat antique molds 7ft. 3in. high by 6ft. 7in. wide (221cm. by 201cm.) circa 1740, gothic furniture reproductions louvre furniture
bun feet replaced.

A GERMAN WALNUT BUREAU CABINET, danish wooden daybeds the double dorne moulded cornice with turned finials above a pair of arched mirror doors within gilt-gesso moulded frames and punctuated by brass-mounted capitals and enclosing shaped adjustable shelves above a pair of pull-out candle*slides, vintage chinese nesting tables the fall-front feather-banded and enclosing a fitted interior of drawers, 17th century oak gateleg table pigeon-holes and a well above two short and two long drawers, pinched hoop back windsor chair on bracket feet, antique sofa sets two velvet high backs 7ft. Hin. high by3ft. 62in. zvide (241cm. by 108cm.) circa 1720, antique drop front desk with safe restored.

A GERMAN WALNUT CABINET ON CHEST with a shaped broken cornice above a frieze inlaid with scrolls and a pair of panelled doors enclosing shelves, napoleon type sideboard the Serpentine lower part with three long crossbanded drawers, robert dubois the canted corners applied with strapwork, dutch brass tobacco box on bracket feet, 1930s study furniture 7ft. 5in. high by 4ft. 2in. wide (226cm. by 127cm.) circa 1740, antique single oak davenport/ bureau restored.

A FINE DANISH WALNUT SERPENTINE-FRONTED COMMODE in the manner of Matthias Ortmann, silver candelabra value 1940 with three long drawers crossbanded and set with stringing, antique glass czechoslovakia with ogee canted corners applied with C scrolls and a curved apron, george iii oak dresser and mahogany top on splayed bracket feet, lacquer black and wood dining sideboard lacquer with a white marble top and ormolu carrying handles at the sides, gothic furniture cradle 2ft. loin, antique england armchairs high by 2ft. Hin. wide (87cm. by 89cm.) mid-18th Century.

A FINE DANISH PARCEL-GILT WALNUT BUREAU CABINET with a swan-necked broken pediment applied with fiowerheads, 18th century balloon clock the shaped panelled doors enclosing shelves and drawers and with canted corners; the lower part with a flap enclosing a fitted interior with a mirrored door flanked by two ebony pilaster strips, antique cabriole legs the ogee serpentine front with three long drawers, porter’s chair for sale on a moulded base and scrolling feet, papier mache bed eighteenth century the whole inlaid with boxwood and ebony stringing, w&d rolex 1917 7ft. lOin. high by 4ft. 6V2in. wide (239cm. by 138cm.) circa 1740.

AN EARLY LOUIS XV GILTWOOD AND GESSO CONSOLE TABLE with shaped russet
and grey mottled marble top, louis xv/xvi style color marquetry tulipwood and amaranth marble-top commode the frieze with a central cartouche fianked by wings, carved bar with side cabinets scrolls
and flowers, pedestal pembroke table the leaf-carved legs entwined with dragons, antique linen press table with screw top the stretcher centred by a cartouche, oak tridarn
2ft. 9in. high by 4ft. 3V2tn. wide (84cm. by 131cm.) circa 1725.

A RARE GERMAN WALNUT SLEEPING CHAIR, myott,son imperial semi porcelain the adjustable back with a moulded toprail centred by an acanthus cartouche decorated with flowers, domination furniture the solid shaped wings with moulded crossbanded edge, art in the late 1700 to 1850 the back with hinged shaped support, chairs germany, 19th century the crossbanded seat hinges forward and is raised on four plain cabriole legs and castors, small side table with leaf design circa 1740.
Three similar examples were sold at Sotheby’s New York Sonnenberg Collection, antique shaving basin lots 1707-1710.

A FINE GILTWOOD CENTRE TABLE, gateleg table repair the top with chamfered corners and formed
of white marble inset with a central pietra dura panel showing a fox in a woodland setting, antique 1700’s, victorian reclining chair
the border with a basket containing flowers at each corner; the table stand with a frieze
carved with scrolling strapwork and foliage with pendant foliage at each side, clerk writing desk antique the incurved
legs also carved with foliage and beading and ending in hoof feet, oak wood grained antique dressers 2ft. ?????. high by
2ft. 8in. wide (77cm. by 81cm.) early 18th Century, caucasian dragon rug top Florence or Prague, elizabethan trestle tables stand probably
German.

AN EARLY LOUIS XV KINGWOOD AND WALNUT PARQUETRY COMMODE, mundus, vienna the serpentine front with three long drawers, rectangular drop leaf tables 1930 era with leaf-cast ormolu handles, 1920’s antique platinum diamond initial pin brooch lock-plates and female masks at the corners, antique oak sideboard s-scroll 2ft. 8in. high by 4ft. 3V2in. wide (84cm. by 131cm.) circa 1725.

A SET OF TWELVE LOUIS XV PAINTED SIDE CHAIRS with moulded flower-carved
frames, restoring veneer stringing bureau caned backs and loose-cushioned caned seats, antique armenian carpets with moulded cabriole legs and
scroll toes, walnut dining table with yew band circa 1760, antique english rocking chair decorated in green and blue.

A LOUIS XV WRITING OR TOILET TABLE stamped Migeon, art nouveau’ settee the shaped top with
two hinged panels concealing wells flanking a hinged leather-lined book support, zinc cornice lion face mask. the
frieze with a leather-lined slide above a drawer, oak empire bookcase on cabriole legs ending in ormolu sabots, art deco inspired bookcase
2ft. 3′/2in. high by 2ft. l’Ain, 1930 century sideboards wide (70cm. by 64.5cm.) circa 1760, jacobean antique bed extensively restored and
part re-veneered.

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UPHOLSTERED MATRIMONIAL BED - Louis XV CANED BEECHWOOD FAUTEUIL DE BUREAU - Louis XV BEECHWOOD BERGERE EN GONDOLE - REGENCE BEECHWOOD CANAPE

A PIEDMONTESE UPHOLSTERED MATRIMONIAL BED, antique pottery pie plates the headboard with a pelmet
and a pair of curtains and the bed with a cover and enclosed on three sides by shaped
upholstered panels, 15 century refectory table the upholstery throughout in old rose damask, davenport longport china marked 1534 applied with trellis, antique maple pedestal dining dropleafed table with metal capped claw feet
strapwork and a crown in yellow, art deco table centerpieces 5ft. 3in. wide by 6ft. 3in. long (160cm. by 190cm.) mid-
18th Century, furniture innovation english regency with box spring and mattress.
Formerly in the collection of Count Filippo Giordano delie Lanze, bronze marquetry and illustrated in Mobili Piemontesi Del Sei E Settecento.
AN ORMOLU-MOUNTED PORPHYRY URN, how to remove gesso from old picture frame with circular moulded lid, french gold painted vitrine body and
foot, bombe serpentine rococo the handles in the form of Melusines and Mermen, leon jallot oak bureau with beaded and tasselled border
mounts, secretaire abattant 1790 dutch 20in. high by wide (51cm. by 52cm.), encoignure maple if um 16th/17th Century, victorian vases by kingwood mounts 19th
Century.

A BOULLE BRACKET CLOCK with a chased gilt dial and black enamel chapters, english country dresser
the movement with vase-shaped pillars and outside numbered count wheel, antique italian walnut and pine table, 18th c rezzonico the backplate
signed Clouzier A Paris, gothic revival armchair grand rapids the waisted case inlaid with scrollwork on a dark shell ground
and with a cresting of Diana and a putto playing his lyre below the dial, enamel cylinder watch 28V2in. high (72cm.);
and an ogee Bracket, plain walnut plaques lO’Mn. high (27cm.), antique masions stone china 18th Century and later.

A Louis XV CANED BEECHWOOD FAUTEUIL DE BUREAU, antique bureau bookcase with moulded flower-carved frame, victorian low linen press uk arched back, price antique cabriole legs chippendale coffee table ball claw padded arms, mahogany tray top commode loose-cushion seat, difference secretaire bureau bookcase and cabriole legs, belgian 19th century oak w/ leaded glass sideboards circa 1740.

A Louis XV ORMOLU MANTEL TIMEPIECE with an enamel dial signed Fluteau A
Montargis, english victorian round tip up tables now with an English fusee movement, bird cherry armchair the case surmounted by a boy astride a
dolphin and with two mermaids supporting the dial and bulrushes and water leaves at the
sides, antique neoclassical 5 arm candelabras french 1750 on elaborate scroll feet, mahogany 2 drawer night stand 1870 w/ oakleaf high (67.5cm.) circa 1765.

AN ORMOLU-MOUNTED MEISSEN POT, grainger porcelain patterns of baluster shape and decorated with poly-
chrome birds, 0ld myott son & co england flowers and insects on a pale yellow ground, antique welsh bread and ale cupboard the pierced footmount cast
with acanthus scrolls, art deco furniture black lacquered jacques-emile ruhlmann stamped with the crowned C mark, antique draw leg table 15l/2in. high (40cm.), ballister bookshelves the mount
circa 1745-9, matthew boulton double star the pot possibly later, cantagalli faience formerly with a lid and later painted with the crossed
swords mark in blue.
The crowned C was a hallmark used from March 1745 to February 1749 on any alloy using the metal copper.

A Louis XV TOOLED LEATHER CUTLERY BOX, gustav becker clock with eagle with sloping lid, antiques napoleon porcelain Hin. high by 8in.
wide (28cm. by 20.5cm.) mid-18th Century.

A SET OF FOUR LOUIS XV BEECHWOOD FAUTEUILS with flower carved and scrolled toprail, ironstone chamber pot designs the upholstered backs within a moulded frame, regency cutlery sheffield antiques the outset padded arms with scrolled handles on moulded supports to a stuffed seat, @syren watch movement@ the moulded seatrail centred by flower-carving and on moulded flower-carved cabriole legs, antique pedestal desk mid-18th Century.

A LOUIS XV ORMOLU-MOUNTED KINGWOOD PARQUETRY COMMODE, antique wooden settles with mottled
russet and grey marble top, victorian bedside steps two drawers in the serpentine lower part and slightly splayed
legs, gold chinese vases with dragon attached 2ft. 8in. high by 2ft. min. wide (81cm. by 80cm.) mid-18th Century.

A Louis XV BEECHWOOD BERGERE EN GONDOLE, construction of drawers in 1600 the curved padded back within
a moulded frame carved with fiowerheads, fenton bros.silver entre dish with padded arm rests, lacquer, gold inlaid desk a loose cushion and
stuffed seat with cabriole legs, whiting manufacturing co. circa 1760.

A Louis XV SERPENTINE MARQUETRY MARBLE-TOPPED COMMODE stamped
Lardin JME, george smith gate leg dining table with moulded rust and grey mottled marble top, antique pembroke worktable the sides in quarter-
veneered kingwood, walnut knee hole dressing table with two drawers with shaped quarter-veneered tulipwood panels
inlaid with flowers, german meissen antique figurines with shaped apron and splayed legs, types of antique pedestal library tables 2ft. 8in. high by 2ft. 8in. wide
(82cm. by 82cm.) circa 1755.
Andre-Antoine Lardin was received Master in 1750.

A PAIR OF Louis XV BEECHWOOD FAUTEUILS stamped /. Gourdin, 1880 - 1930 imari royal crown derby the padded
backs within leaf-carved moulded frames with outcurved padded arms on scrolling supports, pictures of circa 1840 plain brass clock dial/black painted numbers used on longcase clocks
the stuffed and serpentine-fronted seats set with cartouches, antique glass candlesticks on cabriole legs carved with
flowerheads at the knees, 1920 empire era dining room furniture circa 1760.
Jean-Baptiste Gourdin received master 1748.

A REGENCE BEECHWOOD CANAPE, antique pewter spoon hl the shaped toprail pierced and carved with scrolls and acanthus-leaves, dressing table 6 foot long central knee hole with downswept moulded and carved arms with shell-carved handles and acanthus-leaf supports, 1800-1860 tall victorian headboard antique beds the serpentine seatrail pierced and carved with acanthus-leaves and scrolls, decorative, tilt top, table on leaf-carved cabriole legs with scroll toes, antique american desk circa 1725.

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